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Review: Harmless has certainly kept Bill Brewster busy this year. This is the umpteenth label Anthology he's compiled over the last 12 months, and tells the story Arthur Baker's Streetwise Records (and, sneakily, its' lesser-known offshoots Partytime and Warlock) during the early-to-mid 1980s.

While there are plenty of well-known club hits from the period included - think 'Walking On Sunshine', 'Confusion', 'Music Is The Answer', and so on - it's the lesser-known or forgotten gems that standout. These include a clutch of killer proto-house and early 'garage-house' jams (Pushe, Citispeak), some post-boogie electrofunk (Cuba Gooding Junior's forgotten 'Got The Hots', a touch of Eartha Kitt), and a swathe of electro, hip-hop and freestyle cuts from the likes of Awesome Foursome, Air Force 1 and Dimples D. Review: The Sources series of record label retrospectives, compiled by renowned crate digger and journalist Bill Brewster, has previously delivered excellent retrospectives on Easy Street and Fresh Records.

Here, Brewster turns his attention to another New York institution of the late '70s and early '80s, popular disco imprint Sam Records. As with previous instalments, Brewster tells the story in loosely chronological order, highlighting both well-known classics - think Vicky D, Komiko, John Davis & The Monster Orchestra and K.I.D - and lesser-known gems.

It's these latter selections, including the Evasions' brilliant 'All Wrapped Up', Underground's smooth 'Behind My Back' and the alien boogie of the Webboes' 'Under The Wear', that make this an essential purchase for disco and electrofunk heads. Review: Patrick Adams and Peter Brown's P&P Records imprint has long been regarded as one of the disco-era's finest labels. While the soul and disco side of the label's output has been celebrated plenty of times, less attention has been paid to their funk and rap credentials. Here, Bill Brewster - whose recent trawl through P&P's soul and disco catalogue was rather good - aims to put the record straight over three action-packed discs. Quickbooks Pro 2008 Isolation. Due to the nature of the material, there are few well-known cuts - Spoonie G's early rap bomb 'Spoonie Rap' excepted - but plenty of thrilling obscurities, from the Jimi Hendrix-goes-funk madness of Wild Honey's 'I've Been Working', and the extended dancefloor workout that is Scott Davis & The Movements' 'Freaktime', to stripped-back pioneering rap bombs from Fly Guy, Little Starski and Sweet G.

Review: In some ways, New York's Fresh Records was always an odd label. A subsidiary of Arthur Russell's Sleeping Bag Records that was initially set up in 1985 to release hip-hop, A&R man Kurtis Mantronik quickly widened its' remit to include electro, freestyle and, later, house. This expansive three-disc anthology from crate-digger Bill Brewster tells the story of the imprint's eight-year history, beginning with a disc of bona fide dancefloor jams (focusing mostly on freestyle and house gear from Todd Terry and Hanson & Davis cuts).

Discs two and three focus on the label's arguably better-known hip-hop history, showcasing the work of Fresh staples EPMD, Just Ice, T La Rock, Stezo and Nice & Smooth. Review: Having previously put together seriously good retrospectives for Fresh Records, Sam Records and Easy Street Records, Bill Brewster turns his attention to another seminal New York imprint of the 1980s - Arthur Russell, William Socolov and Juggy Gales' eccentric Sleeping Bag Records.

Over the course of its 11 year lifespan, Sleeping Bag moved between dancefloor-friendly genres at will, a facet that Brewster has wisely chosen to celebrate over three discs. So, while there are disco and boogie bangers - Class Action, Dinosaur L', Joyce Sims, Konk etc - we're also treated to dubbed-out beatbox electro (Sound of JHS 126 Brooklyn, Mantronix), freestyle (Nocera, Ann-Marie), bumpin' hip-hop (Cash Money, Mikey D & The LA Posse), proto-house and, of course, early NYC house (Kariya). Review: Following their recent 45s box set, Motown's most influential and successful songwriting team return to Harmless and sign off some of the rarest cuts they've ever written. Taken from old acetates and tapes, none of these have ever been released publically on vinyl before. Including the Tom Moulton remixes. Complete with a detailed booklet, it's collections like these that got us all into vinyl collecting in the first place.

A unique history lesson, this really is a fantastic piece of work. Review: During the mid 1980s, there were few more vibrant venues in London than the iconic Wag Club. While the club's musical offering was wide, between 1983 and '87 it became closely associated with the capital's Rare Groove, disco and jazz-dance scenes. It's this aspect of the club's history that Chris Sullivan explores on Wag: Iconic Tunes From The Wag Club 1983-87. Over the course of four discs, Sullivan has gathered together some superb cuts. While the epic tracklist is undeniably weighted towards fairly well known scene anthems (think party-starters from James Brown, Dinosaur L, Aaron Neville, Cerrone, Digital Underground and Ray Buretto, for starters), Sullivan has wisely thrown in a few forgotten, or recently overlooked gems.

Review: The word 'definitive' is often over-used when it comes to compilations, and particularly box sets. In this instance, though, its' use is both fitting and necessary; Traxbox is, for want of a better word, the definitive story of Trax Records, Chicago house's most influential label in that key period between 1985 and 1990.

Across 16 CDs (yes, you read that correctly) and an authoritative 100-page booklet, it tells the (almost) complete story of the label that did more than any other to popularize jack tracks and acid house. All the familiar favourites are present, alongside plenty of overlooked gems (see Dallis' 'Rock Steady', Two of a Kind's low-down 'Somewhere in West Hell' and Phuture's hissing, lesser-known masterpiece 'Spank-Spank'). Review: There's no doubt that The Odyssey was a labour of love for its' creator, former Northern Soul DJ and current Harmless Records boss Ian Dewhirst. His aim was simple: to put together the single most authoritative and expansive retrospective of that most British of underground dance cultures. Fittingly, he's more than succeeded; the 175-track, eight-CD collection boasts not only a wealth of popular 'Northern' hits, but also plenty of sought-after obscurities. As if that wasn't enough to get the juices flowing, the box set also features two DVDs - an excellent documentary about the scene, and extensive interviews with key scene players - plus a 160-page book containing excerpts from Mike Ritson's definitive Northern Soul book, 'The In Crowd'. In other words, it's superb.