Is and in to a was not you i of it the be he his but for are this that by on at they with which she or from had we will have an what been one if would who has her.

The unreleased/shelved fourth studio album Ill Na Na 2: The Fever by American rapper Foxy Brown. Scheduled for a May 6, 2003 release, the album was allegedly cancelled due to disagreements between Foxy Brown and Bad Boy CEO Sean Combs as well as Brown's displeasure with the album's material.

Would Have Been Released Date: May 6, 2003 Recorded: 2001-2003 Genre: Hip-Hop, Hardcore Rap, East Coast Hip Hop, Associated Record Labels: Def Jam Recordings and Bad Boy Records Track listing: 1. Intro (Please, Don't Let Me Be Misunderstood/Get Off Me) [-] 2. Open Book [-] 3. Stylin' [-] 4. Magnetic (feat. Pharrell) [-] 5. How You Want It (feat.

Benzino) [-] 6. We Makin' It [-] 7. Whatcha Gonna Do [-] 8. Diddy, Black Rob, Big Azz Ko, Craig Mack, Kain, G.

I Need A Man [-] 10. Memory Lane [-] 11. Black Girl Lost [-] 12.

My Life (Part 2) [-] 13. Fan Love [-] 14. Stylin (Remix) (feat. N.O.R.E., Baby & Young Gavin) [-] 15. Nasty Girl (feat. Big L & Herb McGruff) [-] 16.

I Need A Man (Remix) (feat. Deep Pockets) [-] ALL COPYRIGHTS, IMAGES, MUSIC, TRADEMARKS, AND ALL OTHER PRODUCTS BELONG TO THEIR RESPECTIVE OWNERS.

The album cover was made by me, if you would like to download it you can get it here.

—, Sticks and Amy's Excellent Staycation (No, this isn't about when, or.) Audiences are good at figuring out which elements of a work are on which side of the. No explanation is necessary for why our hero can hear a ringing telephone but not the movie's soundtrack, or why the space ship is menaced by the, but not by the: it's something we accept as part of our. It's also a wonderful thing to play with, and that is what Medium Awareness does; the characters acknowledge and interact with elements and conventions of the medium that shouldn't technically 'exist' in-universe. Suddenly the characters can hear the ominous background music or the disembodied narration, they can read the subtitles at the bottom of your screen, and they can tell when it's almost time for a commercial break.

Generally, this awareness is brief; it's used for a joke or two and then never mentioned again. Used this way, it's as applied to. A subtrope of.

Compare with other, particularly, which uses and artifacts to tell the story, and which is exactly what it sounds like. Is a specific inversion. Is what happens when a particular character has this on full-time and the rest do not. See also (which doesn't involve the ) and. See also and; specific subtropes. James: Why didn't we just do this in the first place?

Jessie: We have to fill a half hour! • Another episode ends with them remarking 'We wasted this whole episode cheering for the good guys.' • One episode has a tie-in to the video games.

Meowth says he can't learn Pay Day because he used up all his move slots. It's later established that the only attack Meowth can use is Scratch or Fury Swipes, because he used the rest of his move slots to speak human language.

• Team Rocket pretty much does this early in the series. • In Tsurupika Hagemaru-kun, Hagemaru suffers from this and. Note These lines are from the Hindi version. Hagemaru: Hey, Kaka, don't sneeze like this while you're naked or the censor guys will cut the scene!

Hagemaru: I can do anything, I'm the hero of this series! • The OVA depends on this trope for half of the episode in which Ohri is under a spell of silence.

She communicates using video game style text boxes. Her master Olivier even asks 'what is that thing?' • has the characters being aware of commercial breaks, the, and so forth. At one point is able to figure out identity by remembering the show's. Medium Awareness is constant in the manga, as well. • In the first season of, Lina grows so angry with Gourry that she grabs a hold of her own and hits him over the head with it.

•: • The commentator during the Davy Back games announce that the main event will commence after these commercial messages. • The Strawhat crew yell at Crocus to stop doing his 'good running gag'. • The manga of does this.

For example, one character is explicitly describing objects with their colors, only for another to point out that the previous page was the last one to be in color. • In the rather naughty anime, the bad guys are caught by surprise because there is no heroic music for one of her arrivals. Granted, in the original manga her appearances are also preceded by a soundtrack, so the music seems to be on their side of the fourth wall. •: • In one manga chapter, Miu counters Matsuri's assertion that her pet ferret, John, is a good boy by reminding her that she said he was wiggling around 'three panels ago'.

• On the first page of Chapter 3, before even the chapter's title page. Please take a look at the flashback. [background turns into a flashback scene, a construction worker falling off by its sudden appearance] •: • Coming off an anime filler arc, the writers used half of the first non-filler episode for Inoue to explain to Ichigo where they'd left off in the main story, using slides with pages of the actual manga to bring him back up to speed.

• During Uryuu's fight against Szayel-Aporro, the batty Pesche reaches into his loincloth for something to help and Uryuu informs the audience it's a little too risque to air. Later, Mayuri decides to and Uryuu says that was DEFINITELY too kinky for television.

• Also in anime-only filler episode (ep. 214), Karukura-Raizer Erotic 'in Hyper Erotic Mode, gains several techniques that can't be shown on TV.'

• In the first episode of, Tamaki can be seen leaning on a notice which pops up on the screen explaining the real meaning of Kyoya's words. •: • In the manga, Goku's first fight with Yamcha had him getting kicked into - and bouncing off of - the panels of the page by Goku.

• Gags like this were also used in Akira Toriyama's earlier series. • In an episode of crossing over with Doctor Slump, Vegeta goes up against Arale and quickly realizes he's up against 'a gag manga character' who is as strong as she needs to be, and standard fighting tactics are just going to be ineffective against her. He tries using some gags himself ('Look! ) but it doesn't work, and he gets launched over the horizon. Afterward, he declares he's never fighting a gag character again. • Used many times in. • tries to wave away a caption that introduces her as Misora to the readers after she just denied that she was Misora to Asuna.

• Konoka pulls out the picture from somewhere in an attempt to censor a scene of. 'There are children reading this!' • When characters have, they're displayed in the background; the people around them sometimes and comment. • Jack Rakan once watches another character's flashback.

• In the manga, someone comments that Mihoshi resembles some other characters, to which Mihoshi replies that she's shaded with a different screentone than they are. • Washuu turns off the narrator while pushing a button. She also makes a pun with the title. Tenchi Muyo essentially means 'right side up', like seen on boxes. She says that despite the title, things can flip around. • One chapter starts with an intense fight between Aeka and Ryoko.

The page that follows the title page has Washuu with a Ryohoki robot bonking the two and commenting that she's 'too late to appear in the first pages'. • Aeka tells Kiyone that she won't appear anymore if she doesn't cooperate, to which she answers that she'd like to keep her limited role as much as possible. • Sasami and Tenchi's grandfather also have a moment that when a hard question is asked, they are looking for 'the expert' to appear and explain it. Sasami looks under a rock saying 'Where are you?' • There's frequent mentions of 'Tenchi being the main character', sometimes himself lamenting his current role (where he's cleaning by lack of having anything to do in that chapter).

• Mentions of the anime are semi-frequent. One example is in the Jurai tree arc, where Washuu starts talking about her rival Yume.

Mihoshi mentions the Doctor seen in the anime, as if it didn't make sense anymore. Washuu answers to 'forget about him' instead of trying to conciliate the two storylines. • Azaka and Kamidake also have a bit where they appeared some 6 volumes later. Washuu has a 'long time no see' moment, and they precisely say the volume and page of their last appearance (and even longer time since they had spoken lines). • The characters regularly comment on backgrounds and other elements. Late in the manga, they even complain when Arisada receives a very large close-up. • In, Kyon's narration is sometimes overheard by the characters, leading to the idea that Kyon just mumbles narration to himself everywhere he goes.

• In the manga, Edward lets Winry know how something happened by flashbacking to it and pointing towards that panel. • In one instance, when someone mentions his actual height, he covers up the number in that person's speech bubble. • does this quite straight. Senjougahara compliments her own seiyuu. • The line also appears in the original light novel, making this further confusing. • Every time a character in is, they look up at the panel containing said daydream. And comment on it.

• was already entirely silly, with copious. More than once characters address the commercial break or writers, depending on the dub. • makes copious use of, and at one point, an annoyed Stocking grabs a bunch of the sound effects, wads them up in a ball, and shoves them into mouth. • When the students are talking about typography, one strip actually has the characters discuss the sound effect typeface on that strip. • In, the characters show a certain amount of medium awareness when not directly parodying anything, such as one note in the English version of the anime where Bobobo has to have a pause between words while talking about traveling in order to accommodate for the translation, and he says after 'I hope I can talk normally when we get there', actively acknowledging that the dub had just had to mess up. They also show that they are aware that a narrator is explaining things and will sometimes even talk directly to him.

The end of the anime also has all characters bemoaning the fact that it's finally the end, and one even notes that it cuts off in the middle of an arc. • In, Rokuna at one point dumps the visualized letters of her scream at an attacking group of enemies, Beginner once pushed aside a scene with a resistant Count Collection on it and from time to time the characters will interact with the narrator. At the end of the show, Count Collection talks directly to the audience about his Status Quo. • In the characters occasionally comment during some of the comic relief on things like Sanzo's fan coming out of, the fact that they can't prove to the reader that Kanzeon is really a hermaphrodite as the rating isn't that high and Gojyo wonders why has launched into the recap of what the sutras are and their significance is while they are surrounded by murderous yokai. • The characters of begin the first episode arguing how being an anime will affect their story which is being adapted from a series of. • In episode 4 of, after Punie's mascot Paya-tan is squished and Punie defeats the badguy, Anego tells Paya-tan 'Your status on this show is getting closer and closer to mine.' That's not a good thing around Punie.

• The stinger of the first episode of has do a. On the 'tons of people on the other side of the TV.' This show is aired during, so viewer sexualization of Haruka is clearly unavoidable. • has several characters exhibit Medium Awareness as dictated by; for example, the first episode of the second season practically has Nyarko recap the entire premise of the series and introduce the entire cast.while wonders what the hell she's doing.

Brian Azzarello Joker Pdf To Word. Before that, the episode starts with a of the opening to, with Nyarko as Samantha and Mahiro as Darrin; we later see it's just a video she's having made. Interestingly, the opening includes credits for their actual voice actresses ( and respectively), a fact that not even Mahiro seems to notice. • In that same episode, Nyarko and the other aliens use 's to change from their pajamas to their school uniforms; afterwards, Cuko comments that the ' effect' is pretty expensive so they decided to use it early on while there's still plenty of money in the show's budget.

• Mahiro himself exhibits it in an earlier episode, where he can apparently see the little numbering bubbles used to count up the guests for his mother's hot springs trip (since he remarks on the fact that Nyarko's pet Shanta-kun is counted as a guest despite being, well, a pet). • In the very first episode, Nyarko is until a frustrated Mahiro grabs a nearby fork and plunges it into the table next to her hand. After the title card, a frightened Nyarko asks 'What are you trying to do, get us cancelled?!' • In the manga of, Mio seems to have this in a couple of instances: • When she and Azusa are beside each other in the bath, Yamanake remarks that she can't tell them apart without her glasses (even though Azusa has acquired a significant tan and Mio has not).

Mio wonders if it's a criticism of the manga artist. • In college, something happens to Yui at some point, making her punctual, not snackish, focused, and uncomfortable with being clung to. Ritsu feels for lumps, thinking maybe she hit her head, since that's what would happen if it were a manga. Mio says is is a manga.

• In the franchise, there exists a Semipermeable Fourth Wall nature. It is usually Lupin interacting with whatever element of the work is on our side of the, but any of the cast can do it for a.

( has even turned part of a panel over to show how upset he was when Zenigata had a line, claiming the current case was as simple as a comic book) • A episode has Lupin stepping off of a plane and calling, 'Title!' To summon the episode's name. • The manga stories use many more jokes than the anime stories do. In 'Impression Impossible', Lupin has paid someone to roll a panel aside and declare that Lupin III is handsome.

• Characters in frequently make reference to being in an anime (though only in the original Japanese version) - usually Sonic, but Dr. Eggman occasionally does it too. In one memorable episode, Eggman actually took over the show, changing the name of it to 'Eggman X' (complete with new title card). The Dreamers Book Of The Dead Pdf.

Sonic eventually defeated Eggman by sending him down a maze where the right path was marked by the correct answer to a Yes/No question. The last question was 'Who's the main character of this show?' With one path marked with a picture of Sonic and the other with a picture of Eggman. Eggman, naturally, went down the 'Eggman' path (even though his robots actually admitted the right answer was Sonic), which naturally led to a trap. (The dub changed the last question to 'Who's the coolest guy around?' .) In another episode, Team Chaotix learned what had happened while they were away by watching Sonic X on DVD, even arguing about whether to skip the opening song or not.

• The cast of displays this a number of times: in chapter 69, the threat of leads to the following exchange. Fuyuki: We've just been made into an anime, and we're already going to lose fans. Keroro: Shut up! I shall only lecture you for about! • Nui's introduction in has her • She also hijacked the ending theme before the final episode, just so she could show off • Practically everyone has demonstrated some degree of this in.

Among other things, they know they're in an anime/manga, and are able to notice the censorship of their dialogue and at times. • One story arc has the Yorozuya gang trying resolve a time stop that's affected everyone but them. The only reason they're even able to make any progress is due to the fact that they're able to read the speech bubbles of the frozen characters, though Gintoki later tries abuse this by editing what some of them are saying using a marker. They can even see the, and Gintoki ends up saving Otae's life by editing the sound of her being hit with a rocket punch into a stick figure saving her from the rocket punch. • One chapter has a doctor refuse Fran's services, because he is all too aware of the she inflicts on her patients in the name of saving their lives. How does he know all this?

He holds up Franken Fran Volume 1. • generally leaves the alone, but occasionally Mouri Kogoro will demonstrate knowledge that he couldn't have in-story, such as mentioning the occupation of someone he's just met when they haven't told him. Normally, one would assume this was the result of a, but seeing as he's a, that seems unlikely. The only OTHER possible explanation, however, is that he can read the that anyone involved in a murder mystery will always be introduced with. • For a blatant example of this, check Episode 221: The Mysterious Retro Room Case, right near the beginning when the 3 women are introduced. And promptly are referred to by their jobs by Mouri, who's only just met them. • In, several characters do this.

Some of Waltraute's sisters complain that it's not fair they have less screen time than her. Freyja at one point boasts that she's so sexy she has to be censored. • Chapter 8 of has several girls depicting Saito's sexy dream of Louise, and in the next panel Louise is waving her arms through it to dissipate it. • In Chapter 162 of, Apachai grabs and peeks out from behind a speech bubble like someone peering around a doorframe, acting confused about its presence. • In one chapter of, 009 and 007 are chasing several shady men. As they set off, 007 (who, for maximum funny, has shapeshifted into a dog), notices a taxi.

Peanut: 'Picture, if you will.' • All of Dunham's puppets are aware that they're puppets. • plays on this all the time, a good example being his Dracula bit - 'Let's all go to Transylvania, and increase the plot of this movie!'

; 'Ooh, I wouldn't go up to the castle if I were you - you get filmed if you go up there!' , and another gag about a horror movie character navigating a dark forest by avoiding the paths that go ' ' and taking the one that goes ' • One of 's stand-up bits involved his writer and friend Bob Zmuda sitting in the audience and by (among other things) saying the punchlines to his jokes before he does. Then they get into an argument, and Zmuda's character calls Kaufman out on the fact that he's a plant and the whole thing is scripted. • regularly has an 'internal audience.' A good portion of his jokes are commenting on what the audience must think of his jokes, in a high-pitched whisper.

• In Lano and Woodley's The Island the characters frequently talk to the audience, reference the theatre and city they're in, and discuss which props on stage are part of the island reality and which are not. It's arguably a show about two comedians doing a show about being on an island.