What is presented in this quite reasonably priced, three-plus hour triple-disc collection by keyboard wild man (of the with percussionist drummer ), are the highlights of his month-long residency at the now defunct music Mecca known as Tonic in New York. Played two sets every Wednesday night for a month and invited some of his best musician pals to show up and see what happened. One evening he played solo, and those highlights are here. Both participants and musical fireworks were plentiful. Some of the cats jumping in on one night are and a group of other percussionists who include session kit boss and; there are trios with () and, duos with (), and a quartet with,, and (the latter two from ).

This stuff is all over the place musically, aesthetically, and not necessarily chronologically ordered. Plays numerous keyboards at once, and some of his solo performances sound like duets or trios even.

Elsewhere, with on 's 'Sing, Sing, Sing,' (with beer bottle percussion) they sound like a full band. Covers of pop tunes are here, like 's 'Gimme Some Lovin',' with from, and full audience participation on vocals.

Aug 22, 2006. Edited by Mario Baroni, Anna Rita Addessi, Roberto Caterina. Alma Mater Studiorum. University of Bologna. Download Majalah Misteri Pdf Gratis there. August 22 – 26, 2006. 63.72Visual Gestures: Perceptual costs and benefits in the performance of live music. The downloaded pieces are 2.382.633 and the. Find album reviews, stream songs, credits and award information for Live at Tonic - Marco Benevento on AllMusic - 2007 - What is presented in this quite reasonably.

It is impossible to capture the wonderful spirit Ropeadope did on this set, which indeed was the spirit of Tonic itself. Lg Flatron L1753s. Is an outrageously talented musician; he's equally comfortable playing jazz, vanguard or classical music as well as popular tunes -- along with the classic tunes, check the covers of songs by and. The spirit of adventure is all over, but so is the discipline and precision of as a pianist. He studied with the best and what's on offer here is his best. The beautiful trio performance 'Clouds (Quasi)' with and becomes an outlaw jam in its nine-minute length. But it gives way to a lilting tune called 'Record Book' to bring it all back down again, only to go into the cosmos with a worthy jazz cover of 's 'Fearless,' and the - tune 'Sabbath,' that reflects the early metal band powerfully -- though the original band could never have played more than the opening riff of this tune.

Disc two offers a view of the quartet sides with the completely freaky wonderful 'Peppermint Hippo,' but eventually becomes a solo for 's 'Seems So Long Ago Nancy' and a trio for 'Nobody Does It Better,' by before it comes back to a duo with for a fine reading of the nugget 'Elmer's Tune' to close it out -- but there is much more in between! The third disc opens with a playful solo cover of 's 'Bye Ya,' and is followed b y with, and for 'Weatherman.'

The problem is in separating the highlights because the sequencing is seamless and aesthetically flawless. The live feeling of the room, the absolutely inspired performances, and the sheer joy in the music -- as well as the technical mastery of the material and improvisational killer instinct -- makes this one of the great surprises of 2007 as well as one of its most necessary purchases whether it's jazz, rock, soul or funk; this one meets all needs. It cannot be recommended highly enough.